Author: Dane Lyn
Lucky 8 Marathon
heresy of paraphrase after Untitled, by Franz Kline (USA) 1960
paraphrase is to say the same thing in less words / yet we attempt to suss meaning
from / a poem, a painting, / a sculpture. / it is impossible / the exact nuance / the artist is
trying to convey
we each experience creative works from our own perspective / in this experience the
meaning of art lies, / the essence of the thing is the thing, / it is a sacred other worldly
thing, / goes beyond intent / intertwines with it / rumples the sheets and stays the night.
Do Geese See God?
you want surrender,
I want to war with peace itself.
peace is uninterested, unimpressed, and unmoving.
peace is an even number waiting to be divided.
peace says til death do us part.
peace says stay put.
peace says you don’t need to look at the dead, stagnating under feet.
peace says there is no price too high.
peace says all this in a measured response to my scream.
throat scabbed over from repeated battle cries,
“never surrender.”
Wishbone Words
anatomy of a body without lies
feet that tell you when to get off them,
legs that say, hey bending me that way will hurt down the road,
hips that tell the world how to treat you.
ears hear that whistle in the dark and say “run,”
vulva that speak of shame.
a uterus that begs him to stop.
arms that say how often they really need to hug,
hands that want credit for the words they create,
ribcage shouts “I’m so tired of protecting this tender heart.”
mouth that stays silent, because in truth no one is listening.
Academy of The Heart and Mind
Earth is broken, I want to leave find me waiting my disassembled launch pad buried under dot matrix print-out instructions tools somewhere beam me up and away, might be stranded here on a planet that mocks me coordinates hazy but that’s a risk worth taking to fly up and away because Earth is broken, I want to leave find me find me
Academy of The Heart and Mind
doomed beautiful thing
after Hal Fischer’s “Bobby at the Beach”
his tenuous hold on life as delicate as any doomed beautiful thing beach soothing rough edges, grinding rock to sand, and sand to dust, and dust to skin. cotton in negative, a whirlwind packed into those pockets, silver dreams blown across the waves. grinding dreams to ash, and ash to stardust, and stardust to glitter. a sparkling dissipation across oceans and he will come again to this beach leaving bread crumb trails of his longings until his pockets are empty.
Academy of The Heart and Mind
after Olga Rozanova’s “Abstract Composition (Color-painting)”
please keep your hands and arms and legs inside the vehicle at all times please keep your thoughts and insights inside your pretty little head please keep tabs on your sensuality please keep your story straight please keep up appearances please keep please keep keep away keep breathing keep breathing keep breathing keep your weight off my shoulders I’m keeping score I’m keeping my middle fingers in the sky
Snowflake Magazine
soft is white sheets fresh from the dryer—
is eyelids closed and contemplative—
is fingers traveling down.
soft is not the quiet of mourners—
is not found in holy books—
is not a butterfly wing, too delicate and fragile to touch.
soft is a sigh—
is the sand that caresses the space between toes—
is a dying rose petal, brown edges curling inward.
soft wants to fill all the empty space—
wants to hold hands with the devil—
wants to dive down into the depths.
soft is ragged page of a favorite book—
is the wind that brings change—
is the heart of a poet.